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The Ringer

First came '60 Songs That Explain the '90s.' (We did that.) Then came '60 Songs That Explain the '90s: The 2000s.' (We're doing that now—and yes, that's the actual name.) But whether you want to jump back to the Clinton years or join us as we reboot our old iPods, you can find all of the collected works of Rob Harvilla below. Come back each Wednesday for a new episode.

60 Songs That Explain the '90s

This episode is for the ladies up in here tonight! Before her hips became internationally renowned, Shakira was making Spanish rock music from the age of 14. Today, Rob looks back at her crossover album 'Laundry Service,' which was released as other Latin American artists were also starting to make music in English. Later, he is joined by music journalist Suzy Exposito, who talks about why Shakira deserves to be in the Rock and Roll Hall of Fame, her initial disappointment when Shakira dyed her hair blonde and started singing in English, and what it was like getting to interview her.

Host: Rob Harvilla

Producers: Julianna Ress, Olivia Crerie, Chris Sutton, and Justin Sayles

Additional Video Editing: Kevin Pooler

Guest: Suzy Exposito
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Shakira — “Hips Don’t Lie”

Imagine, you’re on the road with an indie sleaze band making sock puppets sing obscenities when Sesame Street gives you a call. Leslie Feist’s career can most similarly be compared to the life of Benjamin Button with her most successful and youthful song, “1234,” coming later in her colorful and previously raucous music career. Rob breaks down Feist’s magical ability to bring new perspectives to covers and sing emotion into numbers before he is joined by Canadian filmmaker Chandler Levack. They discuss the role Feist’s music played in soundtracking Chandler’s college years and how this affected her most recent film, Mile End Kicks, which follows a young music journalist becoming increasingly more involved in the music scene she’s documenting.

Listen to the songs from the episode: '00s #44 Feist "1234"

Host: Rob Harvilla

Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles

Additional Video Editing: Kevin Pooler

Guest: Chandler Levack

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Feist — “1234”

This episode is for all of the people who don’t know the difference between a meteor, meteoroid, and meteorite. Rob finally opens up about his hipster phase of life that nearly got him killed (his words, not ours). He recounts all of the “freak folk” music he discovered in the Bay Area, all of which led him to the harp virtuoso and wordsmith Joanna Newsom. He tries his best not to describe her unique singing voice while dissecting her ability to bend words and seamlessly expand her listener’s vocabulary. Finally, he is joined by music journalist and ex-h*pst*r Garrett Kamps, who recounts what it was like watching one of Joanna Newsom’s first shows and contemplates why fans may have felt protective over her.

Host: Rob Harvilla

Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles

Additional Video Editing: Kevin Pooler

Guest: Garrett Kamps

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Joanna Newsom — “Emily”

Will you come to my cottage this summer and blast Canadian rock music? Rob is asking … for a friend! This week, we analyze the dramatic comeback of the Wolf Parade song “I’ll Believe in Anything” after its use in the hit gay hockey show ‘Heated Rivalry.’ He explains how his focus on the ferocity of Wolf Parade’s music distracted him from the meaning of the lyrics and how they surprised him years later during the song's resurgence. Later, he is joined by Canadian Elamin Abdelmahmoud to talk about the differences in the Montreal and Toronto rock scenes, remind Rob of forgotten Canadian bands, and explain what a “reheat” is.

Listen to the songs from the episode: https://open.spotify.com/playlist/3jGtG2AAHCdpazCzuSlHrP?si=c5055ad6583f45e6&pt=21d76d95c5a8429ca2ed00ab7a01c09a

Host: Rob Harvilla

Producers: Olivia Crerie, Julianna Ress, Chris Sutton, and Justin Sayles

Additional Video Editing: Kevin Pooler

Guest: Elamin Abdelmahmoud

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Wolf Parade — “I’ll Believe in Anything”

Keep those negative thoughts to yourself! They are a parasite to those around you, and who knows that better than Thom Yorke? This week, Rob proves that Radiohead has the ability to sully the minds of even the most innocent by discussing “All I Need,” from their 2007 album, 'In Rainbows.' He breaks down the initial reaction to the pay-what-you-can release of 'In Rainbows’ and discusses why the album resonates with a new generation of Radiohead fans. Finally, he is joined by 'In Rainbows' expert Cole Cuchna from Dissect to break down the various lyrical interpretations of “All I Need” and the timeless quality of the album’s sonics.

Listen to Rob’s ’90s Radiohead episode:

https://open.spotify.com/episode/7EHs9EMkYVbLrhl4KkzzSn?si=c4a63a2fee6e4a94

Listen to Dissect’s 'In Rainbows' breakdown:

https://open.spotify.com/episode/3r7UlNtqVjeVEVUsOQoEsu?si=1bb40847b7e1472d

Host: Rob Harvilla

Producers: Olivia Crerie, Julianna Ress, and Justin Sayles

Additional Video Editing: Kevin Pooler and Chris Sutton

Guest: Cole Cuchna
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Radiohead — “All I Need”

This week, Rob takes a trip down memory lane, a.k.a. 2000s Williamsburg, Brooklyn. Now that we are in the dark ages of social media and virality, there is a set-in-stone Mount Rushmore of late-night TV band performances, including the high-energy TV On The Radio debut of “Wolf Like Me.” Rob discusses how TV On The Radio was affected by post-9/11 New York, giving us the iconic opening album line, “I was a lover before this war.” Later, he is joined by musician and top-10 TV On The Radio fan Bartees Strange to discuss covering a monolith of a song like “Wolf Like Me” and how TV On The Radio paved the road for artists like Bartees.

Host: Rob Harvilla

Producers: Justin Sayles and Olivia Crerie

Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton

Guest: Bartees Strange
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TV On The Radio — “Wolf Like Me”

This week, Rob makes a solid argument that the coolest thing a person can do is watch cartoons and play pretend. He breaks down the many personas of Daniel Dumile, starting with Zev Love X and ending with his villain persona Madvillain. He argues that his best work was done with fellow children’s show lover Madlib before he is joined by rapper and podcaster Open Mike Eagle to talk about getting to collaborate with your favorite rapper and the appeal of concealing one’s identity as an artist. 

Host: Rob Harvilla

Producers: Justin Sayles and Olivia Crerie

Additional Video Editing: Kevin Pooler, Julianna Ress, and Chris Sutton

Guest: Open Mike Eagle
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Madvillain — “All Caps”

You’ve heard the song a million times, and you can sing along with the crowd when it comes on. But come trivia, would you be able to name the artist and song title? Today, Rob is going to drill every jock jam into your head, leading up to the iconic opening eight bars of “Seven Nation Army” by the White Stripes. He breaks down the unusual nature of Meg and Jack White’s relationship and the perfect minimalism of Meg White’s drum style paired with Jack White’s unpredictable maximalist guitar. He tries to make sense of how, of all their songs, “Seven Nation Army” has reached the pinnacle of fame. Later, he is joined by author Chuck Klosterman, who shares his experience interviewing the White Stripes, discusses the small list of songs that are more iconic than their creators, and ruminates on whether Jack White could ever form a two-person band again.

Host: Rob Harvilla

Producers: Justin Sayles and Olivia Crerie

Additional Production Support: Kevin Pooler and Chris Sutton

Guest: Chuck Klosterman
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The White Stripes — “Seven Nation Army”

Today, Rob talks about the song that left him speechless upon his first listen—“Milkshake”. He retraces his steps back to the beginning of Kelis’s career when she was screaming at a Glastonbury crowd. He analyzes the trend of not being able to place Black women into neat and separate genres, as rock, rap, punk, pop, and R&B start to blur lines. He is blissfully confused, and that is okay. Later, he is joined by music critic Leslie Gray Streeter to discuss the art of balancing humor and anger in a song and the empowerment of “Milkshake” as Kelis makes fun of the men who lust after her.

Host: Rob Harvilla

Producers: Justin Sayles and Olivia Crerie

Additional Video Editing: Kevin Pooler and Chris Sutton

Guest: Leslie Gray Streeter
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Kelis — “Milkshake”

Imagine the angstiest, cringiest art you made as a teenager. Now imagine the entire world singing to it in their cars and at karaoke forever. Today, Rob is breaking down the emotionally turbulent emo-bop factory machine that is Paramore. He applauds the incredible and messy lyrics of ‘Riot!,’ which differentiate the album from those of similar bands of the time. Later, he talks to The Ringer’s Rob Mahoney, Paramore’s OG fan, to discuss the exponential improvement between ‘All We Know Is Falling’ and ‘Riot!’ and Hayley Williams’s incredible vocals on “Misery Business.”

Host: Rob Harvilla

Producers: Justin Sayles and Olivia Crerie

Additional Video Editing: Kevin Pooler and Chris Sutton

Guest: Rob Mahoney
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Shakira — “Hips Don’t Lie”

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