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Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings. To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).
In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.
Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.
As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.
Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song.
Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones
LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes
Listen to ‘In The End It Always Does’ here. Dirty Hit
Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS Output Portal Soundtoys PrimalTap Spectrasonics Omnisphere Xfer Serum Moog One
OUR GEAR https://linktr.ee/tapenotes_ourgear
HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.
KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk
TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Andy Tindall/Herbie Elton-Rowley - Videographer/Editors Guy Nicholls - Production Assistant Learn more about your ad choices. Visit megaphone.fm/adchoices
Release date
Lydbog: 16. august 2023
Fakta
Thanks to Audiomovers for supporting this episode. Their Listento Plugin has been a gamechanger for us and we use it across all of our remote interviews and recordings. To see their full range of plugins, visit audiomovers.com and use the promo code TAPENOTES1 at checkout to get your free month (usually only two days).
In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.
Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.
As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.
Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song.
Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones
LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes
Listen to ‘In The End It Always Does’ here. Dirty Hit
Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS Output Portal Soundtoys PrimalTap Spectrasonics Omnisphere Xfer Serum Moog One
OUR GEAR https://linktr.ee/tapenotes_ourgear
HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate Or you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns.
KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk
TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Andy Tindall/Herbie Elton-Rowley - Videographer/Editors Guy Nicholls - Production Assistant Learn more about your ad choices. Visit megaphone.fm/adchoices
Release date
Lydbog: 16. august 2023
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