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Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more.
In this episode, John reunites with Alex Crossan, a.k.a. Mura Masa, to talk about how he wrote, recorded and produced his latest album ‘Demon Time’. Reflecting on the process of working out what a lockdown album would sound like and making the complete opposite of that, Alex shares his thoughts on controlling the vibe of a record while still managing to explore every random studio idea with each of his collaborators. As well as giving us a tour of some of the weirdest sounds in his sample folder, Alex treats us to production gold, demonstrating some of the simplest yet most effective Garage tricks, and the ways in which he created the impression of fake DJ across the album. Listen to find out how a citrus salad led to a revelation about frequencies, why if an idea’s making you laugh then that’s the right one to follow, and how to sneakily get people to write for your album in their own writing session. Tracks discussed: demon time, hollaback bitch, e-motions LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes Listen to ‘Demon Time’ here. Anchor Point Records, Polydor, Universal Music Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS Soundiron Elysium Harp Arturia Analog Lab Moog DFAM Soyuz Microphones Hoover Synth Sound Ableton Operator Synth OUR GEAR https://linktr.ee/tapenotes_ourgear
HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate
KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices
Release date
Lydbog: 30. november 2022
Fakta
Thanks to SoundBetter for supporting this episode of Tape Notes. SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists. Head to SoundBetter.com to find out more.
In this episode, John reunites with Alex Crossan, a.k.a. Mura Masa, to talk about how he wrote, recorded and produced his latest album ‘Demon Time’. Reflecting on the process of working out what a lockdown album would sound like and making the complete opposite of that, Alex shares his thoughts on controlling the vibe of a record while still managing to explore every random studio idea with each of his collaborators. As well as giving us a tour of some of the weirdest sounds in his sample folder, Alex treats us to production gold, demonstrating some of the simplest yet most effective Garage tricks, and the ways in which he created the impression of fake DJ across the album. Listen to find out how a citrus salad led to a revelation about frequencies, why if an idea’s making you laugh then that’s the right one to follow, and how to sneakily get people to write for your album in their own writing session. Tracks discussed: demon time, hollaback bitch, e-motions LINKS TO EVERYTHING TAPE NOTES linktr.ee/tapenotes Listen to ‘Demon Time’ here. Anchor Point Records, Polydor, Universal Music Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS Soundiron Elysium Harp Arturia Analog Lab Moog DFAM Soyuz Microphones Hoover Synth Sound Ableton Operator Synth OUR GEAR https://linktr.ee/tapenotes_ourgear
HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate
KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on: Instagram: @tapenotes Twitter: @tapenotes Facebook: @tapenotespodcast YouTube: Tape Notes Podcast Discord: Tape Notes To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! Visit our website to join our mailing list: www.tapenotes.co.uk HELP SUPPORT THE SHOW If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) Donate TAPE NOTES TEAM Will Brown - Executive Producer, Engineer & Editor Tim Adam-Smith - Executive Producer Will Lyons - Editor Herbie Elton-Rowley - Videographer Matt Purbrick - Production Assistant Guy Nicholls - Production Assistant Nathan Hetherington - PR Rebecca Ibbotson - Digital Marketing Learn more about your ad choices. Visit megaphone.fm/adchoices
Release date
Lydbog: 30. november 2022
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