M’usa, con l’apostrofo. Le donne di PicassoLetizia Bravi
How did the only person who’s ever won multiple Pulitzer Prizes for Criticism develop his sense of taste? Who needs a movie review when we’ve got Rotten Tomatoes and streaming algorithms? And do we even have real movie stars anymore? Wesley Morris, New York Times critic at large, makes the case for professional criticism over customer service. (And why Stephen A. Smith belongs to the proud tradition of camp.)
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