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iHeartPodcasts and Pushkin Industries

McCartney: A Life in Lyrics offers listeners the opportunity to sit in on conversations between Paul McCartney and poet Paul Muldoon dissecting the people, experiences, and art that inspired McCartney’s songwriting. These conversations were held during the past several years as the two collaborated on the award winning book, “The Lyrics: 1965 to Present.” Over two seasons and 24 episodes of “McCartney: A Life in Lyrics”, you’ll hear a combination master class, memoir, and improvised journey with one of the most beloved figures in popular music. Each episode focuses on one song from McCartney’s iconic catalog – spanning early Beatles through his solo work. Season 2 premieres on February 7th.

“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.

Cover Portrait © 1967 Paul McCartney / Photographer: Linda McCartney

McCartney: A Life in Lyrics

Welcome to "McCartney: A Life in Lyrics". This podcast will take you into the mind of one of the greatest songwriters of all time: Paul McCartney. The result is a combination master class, memoir, and improvised journey with one of the most beloved figures in popular music. Each episode focuses on one song from McCartney’s iconic catalog – spanning early Beatles through his more recent solo work. McCartney, together with his friend, the poet Paul Muldoon, dissects the people, experiences, and art that inspired his songwriting. Season One drops weekly starting October 4th, and features the stories behind songs like Eleanor Rigby, Let It Be, Band on the Run and many more. Subscribe now.

See omnystudio.com/listener for privacy information.

Welcome to McCartney: A Life in Lyrics

Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrmann score for a Hitchcock film had on the lead single from 1966’s “Revolver."
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Eleanor Rigby

What’s Paul McCartney, a Liverpudlian, doing writing about the Soviet Union in 1968? Turns out McCartney was doing a little Chuck Berry, a bit of The Beach Boys, some pastiche and a lot of subversion. Opening “The White Album”, “Back in the U.S.S.R.” raised some eyebrows. And because of The Beatles’ evolving position within the former Eastern Bloc the song has over the years taken on a life of its own, following the trajectory of the West’s often fraught relationship with the region. 
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. 

See omnystudio.com/listener for privacy information.

Back In the U.S.S.R.

Paul McCartney’s mother Mary passed away in 1956, when Paul was only 14 years old. Over a decade later, she appeared to him in a dream, lending a few immortal words of wisdom: “Let it be.” These words arrived in time to help see Paul through the difficult days after The Beatles’ gave up touring to enter the studio full time. And, of course, they went on to become the basis of the song that’s now a popular standard and the title of The Beatles’ final studio release, “Let It Be.”
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell. 
 
And thank you to the Melbourne Soul & Gospel Choir for their rendition of “Let It Be,” arranged and conducted by Darren Wicks for the album “Stand Strong.”

See omnystudio.com/listener for privacy information.

Let It Be

At the dawn of the Beatles’ dissolution, Paul McCartney and his wife, Linda, started to spend an increasing amount of time in the Scottish countryside. Sequestered at their farm near the Mull of Kintyre, McCartney found refuge in his family, his animals, and in fixing up their homestead. The ease and charm of country living was documented in “When Winter Comes” from 2020’s McCartney III. And in 1977 his ode to life on the family farm, “Mull of Kintyre,” became a massive hit for Wings despite the hold disco and soft rock had on the charts and the ascendance of punk and new wave.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.
 
And thank you to Ally the Piper for her rendition of “Mull of Kintyre,” “inchadney” for their composition, “Bagpipes in Pitlochery” and Ross Fleming for voicing the 1966 news item.

See omnystudio.com/listener for privacy information.

When Winter Comes / Mull of Kintyre

As a young boy, Paul McCartney soaked up the radio plays his mother listened to while cleaning around their house. They gave McCartney an expansive understanding of characterization, something he’s been able to do astonishingly well in his own work throughout his writing career. The song “Penny Lane” may sound like much of the psychedelic musings that was common by the late 60s, but the song is actually a beautifully abstract description of a Liverpool suburb well-known to both McCartney and John Lennon.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Penny Lane

As Paul McCartney’s life moved further away from the centering force of Liverpool, the distance, both physical and cultural, started becoming increasingly apparent. It's a distance described by Paul as inevitable, if regrettable. “Uncle Albert / Admiral Halsey” is Paul’s expression of the dual longing for home one can experience while also longing to create a new life full of adventure. Released on Paul and Linda’s “RAM” album in 1971, the song is layered with meaning and references to his contradictory feelings.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Uncle Albert/Admiral Halsey

Warning: This episode begins with a description of the assassination of John Lennon.
 
John Lennon’s assassination has reverberated across decades, country and culture. On the 8th of December, 1980 the world lost one of its greatest creative forces and advocates for peace. And Paul McCartney lost even more: a collaborator, a bandmate, and a dear friend. As McCartney sat in the upstairs room of his Sussex home, mourning his loss, he picked up a guitar, found a comforting set of chords and began memorializing his friendship with Lennon in song.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Here Today

James Bond themes were handled by soulful or sultry vocalists in the decade since 1963’s “From Russia With Love.” Shirley Bassey, Tom Jones and even Louis Armstrong had taken turns singing themes and secondary themes for the films. The Broccoli family who produces the James Bond franchise expected nothing less when they asked Paul McCartney to write the theme for “Live and Let Die.” What they didn’t expect was for him to perform it too. And for the song—1973’s “Live and Let Die”—to become the most popular theme of the series thus far.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Live and Let Die

“Magical Mystery Tour” was inspired by a holiday bus from Liverpool to a mystery destination—often ending up in the carnivalesque seaside town of Blackpool. It’s one of the best examples of The Beatles further dipping into the era’s psychedelic subculture. The production of the song delivers a dense and lively atmosphere, from the opening brass fanfare to the flanging piano in the coda.
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

Magical Mystery Tour

Coming at the end of an intensely creative period, The Beatles’ Abbey Road features some of the most adventurous compositions in the quartet’s catalog. It's fitting then that the album concludes with one of the most inventive and famous medley committed to record. To close season two of “A Life in Lyrics” McCartney discusses The Beatles’ send off to recording: “Golden Slumbers”, “Carry That Weight” and “The End.”
 
“McCartney: A Life in Lyrics” is a co-production between iHeart Media, MPL and Pushkin Industries.
 
The series was produced by Pejk Malinovski and Sara McCrea; written by Sara McCrea; edited by Dan O’Donnell and Sophie Crane; mastered by Jason Gambrell with assistance from Jake Gorski and sound design by Pejk Malinovski. The series is executive produced by Leital Molad, Justin Richmond, Lee Eastman, Scott Rodger and Paul McCartney.
 
Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.

See omnystudio.com/listener for privacy information.

The End

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