Teenage Wasteland: The Who at Winterland, 1968 and 1976 Edoardo Genzolini
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Biografier
Wye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.
© 2024 The University of Chicago Press (E-bog): 9780226437712
Release date
E-bog: 31. maj 2024
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