Nazi Art Theft: The History of Germany’s Confiscation and Destruction of European Artworks during World War II
- Forfatter
- Indlæser
- Forlag
Looting and the acquisition of plunder have long been crucial features of war. Removing an enemy’s portable wealth is a way of ensuring they lack the resources to create a new army while making it possible for members of the victorious army to be suitably rewarded. In the past, that plunder tended to be in the form of coinage, precious stones, gold, and silver. The removal of artwork for its own sake (rather than for the intrinsic value of the materials from which they were made) was relatively rare.
In the long history of Europe, no country established such complete domination of the continent as the Nazis had by the summer of 1941. Before the war, Germany used the threat of the army rather than direct conflict to achieve territorial gains in Austria and Czechoslovakia. In September 1939, Germany invaded Poland, triggering the war, and by June 1940, German forces had occupied Poland, Norway, Denmark, Belgium, Luxembourg, Holland, and large parts of France. By the spring of 1941, Greece, Serbia, and Yugoslavia were also occupied by Nazi forces. Italy, Hungary, Romania, Spain, Bulgaria, Slovakia, Finland, and Croatia were all either in alliance with Germany or subject to German control. Furthermore, by the winter of 1941, German forces were close to Leningrad and Moscow.
Given their unlimited and virtually uncontrolled access to most of Europe, it is perhaps unsurprising that this would also lead to consideration of the acquisition of art. If Berlin was to become the new world capital, then surely it was reasonable to assume Berlin should display the world’s most important works of art. With nothing to stop them, the Nazis became the most rapacious looters of art the world had ever seen, to the extent that it has been estimated that the Nazis may have acquired up to 20% of all art in Western Europe. Some works were returned after the war, many disappeared, and still others have become the subject of intense speculation.
© 2021 Charles River Editors (Lydbog): 9781667092461
Udgivelsesdato
Lydbog: 19. oktober 2021
Andre kan også lide...
- The Four Trials of Henry Ford: And His Pursuit of the Dark Fruit of Narcissism Gregory R. Piché
- Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage Sowande’ M Mustakeem
- The Media Offensive: How the Press and Public Opinion Shaped Allied Strategy during World War II Alexander G. Lovelace
- FDR and the Jews Richard Breitman, Allan J. Lichtman
- Russia Resurrected: Its Power and Purpose in a New Global Order Kathryn E. Stoner
- Fighting Back: Stan Andrews and the Birth of the Israeli Air Force Jeffrey Weiss, Craig Weiss
Vælg dit abonnement
Over 1 million titler
Download og nyd titler offline
Eksklusive titler + Mofibo Originals
Børnevenligt miljø (Kids Mode)
Det er nemt at opsige når som helst
Premium
For dig som lytter og læser ofte.
129 kr. /måned
1 konto
100 timer/måned
Eksklusivt indhold hver uge
Fri lytning til podcasts
Ingen binding
Unlimited
For dig som lytter og læser ubegrænset.
159 kr. /måned
1 konto
Ubegrænset timer
Eksklusivt indhold hver uge
Fri lytning til podcasts
Ingen binding
Family
For dig som ønsker at dele historier med familien.
Fra 179 kr. /måned
2-6 konti
100 timer/måned pr. konto
Fri lytning til podcasts
Kun 39 kr. pr. ekstra konto
Ingen binding
Dig + 1 familiemedlem
2 konti179 kr. /måned
Flex
For dig som vil prøve Mofibo.
89 kr. /måned
1 konto
20 timer/måned
Gem op til 100 ubrugte timer
Eksklusivt indhold hver uge
Fri lytning til podcasts
Ingen binding
Har du en rabatkode?
Indtast koden her