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Vulture

A podcast all about the making and meaning of popular music. Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how pop hits work magic on our ears & our culture. From Vulture and the Vox Media Podcast Network.

Switched on Pop

In 2024, Kendrick Lamar pulled off what seemed impossible: winning hip-hop's biggest rap battle in recent history, securing the Super Bowl halftime show, and dropping GNX, a surprise album that might be the year's defining pop record. But this triumphant return wasn't guaranteed. Two decades into his career — well past the average life expectancy of a rap career — Kendrick faced a critical challenge: how to balance his legendary artistic complexity with mainstream accessibility.

Songs discussed:

Kendrick Lamar – squabble up

Kendrick Lamar – luther (feat. SZA)

Kendrick Lamar – tv off (feat. Lefty Gunplay)

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Kendrick Lamar: from Pulitzer to pop

It's an annual tradition: Every December, artists release their bids to join the hallowed halls of holiday music history. The gold standard remains Mariah Carey's "All I Want for Christmas Is You," which reportedly earns the pop star $2.5 million annually in royalties. This year's crop of seasonal offerings spans from ambitious originals to reimagined classics, with artists trying everything from AI-generated lyrics to funk renditions of Hanukah hymns. To evaluate this year's entries, we're introducing our definitive sleigh bell ranking system: five sleigh bells marks a future holiday classic destined to join Mariah in the pantheon, while one sleigh bell promises pop obscurity.

Songs Discussed:
•Kelly Clarkson - You For Christmas
•Orville Peck - Happy Trails
•Conan Gray - Holidays
•Dan and Shay - Take Me Home for Christmas
•Amy Grant - Tennessee Christmas
•Kesha - Holiday Road
•Ben Folds - Xmas Aye Eye
•Jennifer Hudson - Santa for Someone
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The best (and worst) of holiday music in 2024

Three artists quietly reshaped pop music in 2024, though you might not know it from your Spotify Wrapped. As listeners question the accuracy of their year-end streaming stats, we explore the innovative sounds bubbling up just below the algorithmic radar. Tampa's "Swamp Princess" Doechii brings narrative depth back to hip-hop through her chameleonic vocal approach. Bedroom producer Mk.gee discovers entirely new possibilities for the electric guitar by deliberately recording "wrong." And BLACKPINK's ROSÉ challenges K-pop industry constraints while building bridges to Western pop on her revolutionary solo album. These artists point toward an exciting future where pop continues to evolve in unexpected ways, even as streaming platforms try to predict and package our musical tastes. Plus: Our producer Reanna Cruz presents evidence that their Spotify Wrapped might be fibbing, and Nate reveals his most-played track of 2024 was... Jeremy Irons singing "Be Prepared" from The Lion King? The algorithm works in mysterious ways.

Songs Discussed

Doechii: "Girls," "Yucky Blucky Fruitcake," "NISSAN ALTIMA," "Denial Is A River," "Boom Bap"

Mk.gee: "I Know How You Got," "Big Mics," "Are You Looking Up," "Alesis"

BLACKPINK"Boombayah," "Kill This Love," "How You Like That," "Pink Venom,"

ROSÉ: "On The Ground," "APT." (featuring Bruno Mars), "Toxic Till The End"

Taylor Swift: "Shake It Off"

Avril Lavigne: "Girlfriend"

Toni Basil: "Mickey"

Tom Petty: "American Girl"

Bo Diddley: "Bo Diddley Beat"

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Breaking Through: Doechii, Mk.gee, Rosé

The first time you hear "Santa Claus is Coming to Town," it probably registers as just another cheery holiday standard. But hiding within this seemingly simple song is a remarkable story of American transformation - musical, technological, and social. Each time artists reimagine the song over its 90-year history, they leave an imprint not just of their own style, but of their entire cultural moment.

Artists Discussed:
Eddie Cantor
Bing Crosby and the Andrews Sisters
The Crystals
Ella Fitzgerald
Fred Astaire
The Jackson Five
Bruce Springsteen
Justin Bieber
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Santa Claus is coming to town and stalking America

Popular music changes all the time, but there’s been one consistent element in practically everything released in the last two decades: Auto-Tune is everywhere. What started as a simple audio processing tool in the 1990s has become the dominant force in music. Artists are training to sing with Auto-Tune; songs sound like Auto-Tune. Like it or hate it, Auto-Tune is everywhere. And to be clear, most people like it.
On this episode of The Vergecast music journalist and Switched on Pop co-host Charlie Harding tells us the story of Auto-Tune. (Disclosure: Switched on Pop is part of the Vox Media Podcast Network, as is The Vergecast.) It starts, of all places, in the oil and gas industry. It involves artists like Cher and T-Pain, spreads like wildfire throughout the music business, and quickly becomes so utterly ubiquitous that you probably notice when Auto-Tune isn’t used more than when it is.
As we barrel toward whatever the “AI era” of music will be, we also look for clues in Auto-Tune’s story that point to what’s coming next. We talk about the distinct sound that comes from tools like Suno and Udio, how artists will use and abuse AI, and whether we should be worried about what it all means. We haven’t yet found the “Believe” of the AI music era, but it’s probably coming.
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Auto-Tune always and forever

On this very special episode, we join forces with the hilarious podcast OFF BOOK. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show. Stay tuned for deep thoughts about what separates pop music from musicals, wild speculation about the origin of the word “vamp,” and an ENTIRE FREAKING MUSICAL COMPOSED FROM SCRATCH that will make you laugh your face off. This is not one to miss.
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Going Off Book

Why do we love listening to heartbreak songs? What do songwriters do to emote such strong feelings?
FEATURING
Adele – Someone Like You
Kacey Musgraves – I Miss You
CeeLo Green – F*** You!
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Heartbreak

We uncover the common songwriting techniques and chart the musical evolution of Taylor Swift. Featuring songs from her early country period, transitional indie period and her latest pop album, 1989. 
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The Oeuvre of Taylor Swift

We look at the Rhythms that make us dance, those primal beats, the “Boom Bang Pow” that make us want to move. We’ll ask what makes them work and why is that we’re hearing that untz untz everywhere we go from the dance floor, to the coffee shop, to the insides of our minds? FEATURING Charli XCX – Boom Clap Vengaboys – Boom, Boom, Boom, Boom!! Jessie J – Bang Bang The Blacked Eyed Peas – Boom Boom Pow Little Richard – Tutti Frutti John Lee Hooker – Boom Boom Cher – Bang Bang Richard Savino & El Mundo: Il primo libro di canzone: Ciaconna The King’s Singers – La Guerre 
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Boom Bang Pow

Pop music and youth go together like peanut butter and pickles. The music we hear when we’re young shapes our identities forevermore. In this episode we take three songs that promise an eternal adolescence and put them under microscope to see what makes them tick. Featuring Kesha – Die Young Fun – We Are Young Wiz Khalifa – Young, Wild and Free 
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To Be Young

Written in the Hozier family basement, Take Me To Church has risen up to be one of the biggest pop hits of the year. But this is not a typical pop song. The unsettling music and provocative lyrics about faith and relationships irk many listeners. But this marriage of form and content also strikes a chord with our own foibles of faith. FEATURING Hozier – Take Me to Church Wintley Phipps – Amen 
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Hozier’s Waffling of Faith in Take Me To Church

Hozier’s Waffling of Faith in Take Me To Church

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