American Films of the 70s: Conflicting Visions

A history of '70s film classics reveals the essential debates of mid-twentieth-century American society—the perfect gift for film buffs and scholars. While the anti-establishment rebels of 1969's Easy Rider were morphing into the nostalgic yuppies of 1983's The Big Chill, '70s movies brought us everything from killer sharks, blaxploitation, and disco musicals to a loving look at General George S. Patton. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about what American society is and should be—open, diverse, and egalitarian, or stubbornly resistant to change. Examining forty films thematically, Lev explores the conflicting visions presented in films with the following kinds of subject matter:

- Hippies (Easy Rider, Alice's Restaurant) - Cops (The FrenchConnection, Dirty Harry) - Disasters and conspiracies (Jaws, Chinatown) - End of the Sixties (Nashville, The Big Chill) - Art, Sex, and Hollywood (Last Tango in Paris) - Teens (American Graffiti, Animal House) - War (Patton, Apocalypse Now) - African-Americans (Shaft, Superfly) - Feminisms (An Unmarried Woman, The China Syndrome) - Future visions (Star Wars, Blade Runner) As accessible to ordinary moviegoers as to film scholars, Lev's book is an essential companion to these iconic movie classics. "The 1970s have been largely neglected in film scholarship. Lev's book is just what the field needs. . . . conscientious, thorough, well-balanced, and insightful." —Paul Monaco, author of Society, Culture, and Television

© 2010 University of Texas Press (E-bog): 9780292778092

Udgivelsesdato

E-bog: 1. januar 2010