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Bauer Media

Joanna Lumley and her husband Stephen Barlow invite you into their home for a fascinating, funny journey into their shared love of music.
You probably know Joanna Lumley, but you may not be aware that her husband Stephen Barlow is a famed conductor, composer and musician - and the pair of them are passionate about classical music. On this, their new podcast, the pair welcome you into their home for a personal, fascinating and funny journey through a musical world. 
Joanna is the enthusiastic amateur - asking the questions she’s always wanted to ask - and Stephen is The Maestro, providing the answers. Who was better: Mozart or Beethoven? Why do certain pieces of music make us feel a certain way? What do conductors actually do? They also discuss the great composers and symphonies, and the often-remarkable stories behind them, all delivered in Joanna and Stephen’s unique, engaging and affectionate way. 
Maybe you think classical music isn’t for you? Or you know a little and want to know more? Or perhaps it's been a lifetime love? Regardless, you definitely need to meet Joanna & The Maestro.

Joanna Lumley & The Maestro

Joanna Lumley and her husband Stephen Barlow invite you into their home for a fascinating, funny journey into their shared love of music.

Trailer

Why does music make us feel such emotion? Joanna Lumley and her husband Stephen Barlow invite you into their music room to discuss the big questions of life, music and marriage. In this first episode we take a tour through the music which shaped their childhoods in England and South-East Asia. For Stephen, this meant falling in love with Wagner’s ‘Das Rheingold’ and rocking out to Led Zep. For Joanna, it meant pastoral symphonies on the wind up gramophone in the jungles of Malaya.

The Music Room

It’s the battle of the heavyweights! Stephen couldn’t live without Mozart, while Joanna thinks Beethoven is the most sublime composer who ever lived. In this episode we get to the bottom of an age-old debate, who’s better: Mozart or Beethoven? From ‘Figaro’ to ‘Fidelio’, Joanna and Stephen get to grips with the operas, masses, serenades and symphonies of these two classical behemoths.

Mozart or Beethoven?

Joanna Lumley has a few questions about her husband’s profession. As well as being a composer and pianist, Stephen Barlow is a conductor - but what does that actually mean? What is it that a conductor actually does? Do they set the speed of the music? How long have they been around for? Are they really needed at all? In this episode Stephen answers these questions and takes us behind the velvet curtain into the backstage life of the conductor.

What Does A Conductor Do?

Sex, death, betrayal: all the good stuff. Puccini has it all. If you’re a total beginner or an opera aficionado, this episode is about the amazing operas of Italian composer Giacomo Puccini, the glorious melodies and how they capture his characters perfectly. This week Joanna and Stephen peel back the layers of Puccini’s most celebrated operas ‘Madame Butterfly’, ‘La Bohème’, ‘Tosca’ and ‘Turandot’.

Puccini Unbound

In this episode Joanna Lumley and her husband Stephen Barlow tackle a biggie - the Symphony. We’ve probably all heard these types of composition - usually involving full orchestras and four distinct movements - but where did they originate from? Who wrote the best ones? What are the building blocks of a symphony? And what’s harder to conduct, a symphony or an opera?

The Birth of the Symphony

The 18th century saw Great Britain referred to as “Das Land ohne Musik” - the land without music by continental Europeans. Quite the damning reviews. But why? And more importantly, is it true? Joanna and Stephen launch into the archives of great British composers like Tallis, Elgar, Byrd, Gibbons and Vaughan Williams in search of our national melodies and some home grown ‘kultur’.

The British Greats (Part 1)

From 'Jaws' to 'Genevieve', 'Gone with the Wind' and 'Bond', every brilliant movie has to have a great theme tune. But who were the composers who wrote these iconic pieces of music? In this episode, Joanna and Stephen dive into the greatest film scores ever written.

The Good, The Bad And The Film Music…

Who is the finest singer of all time? And what makes a legendary voice? Is it technique, style, phrasing or simply magic? This week Joanna and Stephen discuss their favourite singers, find out why do we fall in love with certain voices, and (the burning question) what does Joanna think of Stephen’s voice?

The Voice: Frank Sinatra, Elvis and Doris Day

Why does Opera make some people (maybe you?) run for the hills? In this episode Joanna and Stephen dig down into the big questions… Like, when did Opera become posh? How did it evolve from musical drama? And can it be reduced to 6 emotions: Admiration, Hatred, Love, Desire, Joy, Sadness and Sorrow - according to René Descart?

What’s Wrong With Opera?

This episode is all about the written language of music, the 'hieroglyphs' or 'blobs on the stave'. Stephen and Joanna discuss the connection between reading music and words, elaborating on symbols, sounds, expression, speed and time signature. Stephen tests the boundaries of Joanna's musical literacy with a test and Wagner offers a 'moderate' interpretation of tempi.

A Few Blobs On A Stave

A Few Blobs On A Stave

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