Nancy A. Collins

Four novels of the punk vampire hunter from the Bram Stoker Award–winning author and "most original voice in the world of vampire fiction since Anne Rice" (Film Threat).

 

Saved by modern medicine before she could die, Sonja Blue is a living vampire who still possesses a soul and is determined to hunt down creatures that prey on the innocent, while searching for the vampire lord who created her.

 

Sunglasses After Dark: As Sonja investigates a sleazy televangelist named Catherine Wheele, she finds herself up against a powerful inhuman adversary. Her greatest foe remains the Other, the demonic personality with whom she is locked in a constant battle for control of their shared body. Can Sonja overcome her inner demon in time to rescue an innocent man from Catherine Wheele's unholy clutches?

 

In the Blood: As Sonja continues to take out her rage on demonic blood-drinkers, her hunt is attracting attention: Morgan, the vampire lord who remade her twenty years ago, wants to bring his beloved daughter to heel. At the same time, Sonja has found her existence entwined with that of a mortal—a psychic detective. Is love possible for someone like her?

 

Paint It Black: Following a self-destructive affair in New Orleans, the Other, Sonja's demonic alter ego, is stronger than ever. And when Sonja learns that Morgan may be behind a string of murders in New York City, she heads straight for a face-to-face showdown.

 

A Dozen Black Roses: A city within a city where the undead roam free, Deadtown is dangerous for humans and vampires alike. As a gang war rages between the old guard and the new, Deadtown's innocents are caught in the crossfire. Only Sonja Blue can save them. To see justice done, she will play both ends against the middle to save Deadtown—or else burn it to the ground.

 

Award-winning author Nancy A. Collins's punk vampire series helped give rise to the urban fantasy genre and her "bone-colored, blood-smeared star—for she is certainly a star—stands bright and hot at the pinnacle of the horror heap" (Joe R. Lansdale).

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